rising out of helsinkis local electro-pop-punk scene in 2007, sisters emma and mia kemppainens musical vehicle lcmdf (le corps mince de fran coise) was quickly picked up by blog gers and music fans across the globe. their incred ibly vibrant, left field pop gained them count less fans, earn ing them the top spot on the hype machine, out-ranking even kanye west.

this brooklyn duo, trap.avoid, create this smooth soundscape of mesmerizing electronica that draws clear influence from the likes of giorgio moroder, orbital, chicago house, etc. remixes ranging from sample-funk to disco-punk from in flagranti, populette, and 33hz fill out the release. aeroplane was rocking this on tour in oct!

with support from the likes of steve (allez allez), henry saiz (bedrock, renaissance), ryan davis (cocoon, maripoza) … comes rising up from spains capital, madrid, comes a new eclectic dance oriented-no boundaries music label: blue cola recordings. with an ever growing catalogue that ranges from straight forward club sounds to more experimental new wave post everything music, blue cola recordings is sure to be driving force in the electronic scene for many years to come, or we will die trying… killing everyone else in the mean time. our first release comes from dutch producer robbie pardoel who sets the mood in an easy listening tech-house way, then chilean wonder boy and regular border community artist, ricardo tobar delivers a powerful remix in his unique post punk style. the ep is completed by spanish secret producing combo the hongkonites who get the last laugh with a weirdly beautiful bass techno remix. blue cola rec. team, its fresh!

based in buenos aires, toomy disco (real name mariano iliuta) represents another success story in the rise of bedroom electronica in recent years. the full album and the tracks here on age of the jaguar ep were recorded entirely at marianos home with relatively basic computer software and, while he is still only 22 years old, the resulting music is every bit as compelling as contemporaneous efforts from like-minded electronic artists daft punk, mylo, mstrkrft, alan braxe and tensnake. age of the jaguar helps to cement toomys status as a leading light in the next generation.

kelley stoltz, now a veritable godfather to the burgeoning san francisco under/over-ground (folks like thee oh sees, sonny & the sunsets, the fresh & onlys), has blazed a path since the late 90s as a home-recording guru and multi-instrumentalist. and, while stoltzs nigh-religious reverence for all things beatles, beach boys and kinks has been at the fore on recent albums below the branches, sub pop) and circular sounds, sub pop), his new album, to dreamers, blends a bit more post-punk abandon into its layered everyman pop. this new album maintains the kaleidoscopic core of sounds heard on kelleys previous records, while making inroads into new sonic terrains.

58 minutes of proto house, denizen loops, far flung folk, post punk, cosmic rock and other junk. after forging new ground with his previous sonic hotchpots >miscellaneous mutant mishaps< and >the exploding disco inevitable<, dom thomas returns with another brain melting audio escapade into the ether. the third album in his dynamic anti-mixtape series on brutal music is salubriously entitled >synthetic soul & other junk<, giving thomas free license to curate a mood that takes the unsuspecting listener on a cascading journey of edits and loops, blurring the lines of traditional dj mixes and original compostion. >synthetic soul< is composed of a variety of genres from >international disco frankenstien< thomas musical heritage, warping together vastly disparate records into a rich sonic tapestry. repeated listening recommended with or without substances...

denmarks most forward thinking export trentemøller announces a new single on his own -in my room- label, twisting 60s psychedelia into a modern electronic-punk beatdown, complete with remixes from none other than andrew weatherall, lulu rouge and trentemøller himself. packed with overdriven synth and guitar textures, live/processed drums and a pacy, apocalyptic vibe, the original version of the remarkable -silver surfer, ghost rider go!!!- taken from the new album ,-into the great wide yonder- is perhaps anders trentemøllers ode to some of the many other spectrums of electronic music and noise that he loves

4 selected tracks have made it onto the black gold, even were loving each tune like a mother loves her umh.. eight children. mathias kaden presents a 2010 edit of his first ever solo release ‚circle pit (va004!), followed by dewaltas deep but yet bouncing stinger bell string experience. on the flip, this ep opens up with nico purmans ‚xpress yourself which lands somewhere between rick james and francois k, followed by alex smokes freaky ‚i-73 night which, to quote vakant pal tolga fidan, is a reminder of how dance music should have been if it hadnt gone generic…its punk.

babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future – its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in

even though youre with another girl is the amazing second single to be taken from trentemoellers stunning new album >into the great wide yonder<.after the huge reaction to the beautiful longplayer, which mixes classic trentemoeller production mastery with more of an analogue, song based, indie-feel,its time to carry on with this intriguing set of remixes.side by side comes a hot 12inch that features remixes by kollektiv turmstrasse and pantha du prince.the kollektives half of the record slaps a heavy dose of deep,dark funk into the mix, with this ingenious lo-slung version. postminimal-punk electronic drums meet warbling synths and reduced,subliminal use of the vocals in a delicate and stylish mixture of pop-meets-deepest-electronica.dials man of the hour pantha du prince creates a typically high-end remix based on his trademark twinkling melodies and warmly grooving understated beats.the dub version twists and turns with unpredictable laid-back intensity as a rousing chorus of strings and harmonic elements fuse under dubbed out vocal elements.

italian dj / producers based in london influenced by dub to disco & funk to punk

7 inch hardcore-punk release from 1982 with 10(!) tracks by negative approach, the shortest being 9 seconds.

heads up folks! two club reworks of the soil&pimp sessions jazz-punk juggernaut >pop korn< by doc daneeka and wafa!
soil&pimp sessions are a jazz sextet from japan renowned for their flamboyant musicianship and style. their live show – dubbed death jazz – will melt your face. >pop korn< (taken from the bands sixth studio album) routinely incites riotous behaviour at gigs so was an obvious choice for the remix treatment.

rapids! play dark indie in their own unique style. hailing from the distinctly un-angular art punk town of bournemouth, the band have quickly come to the notice of bands and radio alike. opening shows for the likes of the chapman family and errors, the band have a live show that transfixes audiences. without any team around them in the early days, the band also gained notice from steve lamacq, john kennedy and tom robinson with steve lamacq interviewing matt holliday on air on his 6music show.

you just wouldnt write a weird piano melody, put it through all your distortion pedals then write an epic post-disco jam around it. basically that doesnt work… or at least shouldnt… but das moth (aka: tokyo-dwelling dj, producer and punk bassist tim sullivan) has provided us with proof to the contrary in his debut 12 inch release featuring >moon< and the aptly titled >wrong<. yes it works, and its genius. we wont do any more head-scratching on how to describe this release, except to say that the vinyl is an absolute must-have, also featuring proto-house workout from heavyweights kink & neville watson.

hot discoid electrohouse remix with a nod to daft punk!

welcome back fairmont!
born in the precious year of punk rock 1977, the toronto based artist has always clung with his heart to the likes of the stooges, t. rex, spacemen 3 and so for us it is no surprise that jake makes a tight connection here also with his alias fairmont. fairmont is considered the semi-famous soft side project of producer jake fairley which has become more and more famous over the years. again jake shows a great insight of electronic music and makes this ep a gripping journey.

adultnapper, real name francis harris, is a philosophy phd drop-out with punk rock roots. hailing from suburban las vegas, he has called brooklyn home for the past 9 years - a stretch in which he has gone from >hating dance music<, to establishing himself as an underground dj/producer with a unique sound and a global audience.

more punk rock mayhem on purple marbled vinyl, limited to 350 copies!
hoping to fan the flames of heartfelt rebel rock, burning streets emerge from the scene that has produced some of the worlds most timeless punk rock anthems and that has given us dropkick murphys, far from finished and the street dogs. - ....boston.., ..ma.....
the already impressive lineup of i hate people bands only gets better with this release. rife with s..oli..d hooks, booming anthems and a sense of vigor that cant be quantified, burning streets have crafted an impressive debut with is it in black and white?. grab it for a road trip or blast it through a boombox, its good ....boston.... punk no matter where it takes you.

incl the great re-interpretation from the captain future mail track - the final ... classic

marc feind was born in scotland and raised in germany. he was influenced by punk, kraftwerk and funk. as a dj he played chicago house and played siegessäule at love parade. his cover version of the german punk band extrabreit is a mixture of electro/punk, house and break beat. the ep comes with two mixes and traxx by stereo jack and two anonymous techno big name djs/producers.

erster teaser des ende august erscheinenden neuen !!! (chk chk chk) albums ist diese club 12 inch mit dem opener >am/fm< (punk-funk meets madchester) sowie dem euphorisierenden acid-house-gewitter von >the hammer<! auf 200 stück in de/at/ch limitierte auflage in klarem vinyl!

don froths >10.000cc / holiday (dubbed out)< is phonica whites sophomore release and it couldnt be any more different to ioris stripped down dub techno. don froth initially appeared on our radar last year with >foam< û a laidback, dubby disco number that effortlessly got us all in summer mood, practically teleporting us to his native venice ca. forget about such nicetiesà >10.000cc s< is >foams< rowdy sibling. a twisted, bass-heavy stomper of a track, that takes disco, dub-step and punk-funk, spins them in blender and spits out one of the rudest basslines weÆve heard in a while. weare talking big here û even giles peterson is a fan. on the flip >holiday (dubbed out)< returns to more familiar territoryà laidback, dubby disco that instantly brings to mind >foam< without being a carbon copy. its breezy, summery and very organic in an analog sort of way. very limited vinyl pressing of 300 copies û hand stamped and numbered. special artwork by pedro carvalho de almeida

fine irish punk drinking music by mr. irish bastard. slainte!

founded in 2009 by monsieur yami and johnny theodore baargeld, terpsiton wants to reveal the crucial things in music, underground, passion and critique. detroit was yesterday, today is dadatroit. the first release terpsiton #c offers a review of classic house roots mixed up with a straight techno attitude by the yet unknown kai von glasow. listen to 4 raw punk tracks then stop and think.

foreigner is a science-fiction album chock full of trippy pop, which tumbles through unexplored terrain without forgetting to look in the rearview mirror and allowing the listeners enough room to use their own imagination. for fans of can, lcd soundsystem, mgmt, air, daft punk!

the phenomenal handclap band out of nyc dropped a brilliant debut album last year and first single >15 to 20< was a stand out track. hector works label founder anthony mansfield got the opportunity to remix the track and was so into the tune that he rinsed two versions. while these versions got widespread exposure and distribution from both friendly fire and gomma, anthonys remixes were until now digital only. we want our records! the disco mix is a slower funk version using the catchy vocals over a helping of sweet disco dubûthe punk funk mix uses all the elements of the track and points it for a dance floor!

this debut lp by innergaze is chock full of rugged hand played analog synths lines, primitive drum machines, haunting vocals, and psychic jewelry. call it synthwave, call it punk, call it metaphysical body music or at this juncture whatever one sees fit, but this duos music goes beyond naming names for the sake of it. from the freaky, unrelenting opener >no shame< to the chris & cosey-esque >la la la<, this record creates many aural worlds to inhabit and explore. the title track >we are strange loops< bubbles at a slow, hazy drug induced bpm, while >illusions<, with its distorted almost guitar-like synth lines and stripped down 808 programming, brings things right back to the dance floor. the ideas and feelings executed here are a direct outpouring of what happens when the machines are turned on, played and recorded.

crash boom bang! fucking new electrotrash label with the german indie punk ladies petula plansch and a electro remix by daniel dexter (acidkids / playtime / craft music / whirlpoolsex) mia nena punk in justice boys noize style, throw your lipglosses in the corner and break your puff! dont trust on dusted eggs, put down your dirty panties and shit on the wall! supported by play paul, malente, jackpot, mr. future, boo kings and markus lange who will deliver the forthcoming hot release!!!

2010 album by punk-rockabilly combo kings of nuthin, featuring 2 vinyl only live tracks as bonus!

honey ride me a goat are michael pike, johnny shoults, ryan simpson and cousin shaggy, who made this release of free-jazz/punk-rock for kitchen dweller in 2006. comes with a receipe for garlic lamb clopp.

frisch aus dem new yorker underground: die warp band des jahres 2010: das girl/boy-duo the hundred in the hands! eleganter french-pop ala serge gainsbourg/jane birkin treffen auf dub, house & post-punk mit präzisen gitarrenlinien & perkussivem bombast! sie selbst nennen es summertime gothic! der ohrwurm >dressed in dresden< sorgte bereits für einen hype im internet und erscheint mit 3 remixes

vassilis pallas aka v.sexion was born in the late 80s, in a decade when techno and house put its little stone to the music world. in early childhood he found himself shakin in disco tunes moving it up to punk and rock. but it was jazz, afro beats, garage house and urban music that finally deeply influenced him in developing a particular music style...

limited 7 inch !! produced by joe claussell!!!

excellent post punk / new wave... very expensive artwork

>be at risk< was created at tracknotic studios located somewhere in the beautiful and magical hills of ibiza. it was recorded and produced by bea tricks and beatmaster g (producer/beatboxer) using state of the art class a equipment and a whole lot of good vibes. wide range of influences can be heard when listening to >be at risk< … such as: electro pop, punk rock, hip hop, old school, 90s techno …

a1 this classix gets the remix treatment by daniel bovie & roy rox!! massive hit! a2 huge track being in a massive john dahlback remix! b1 phonat sounds like a real daft punk record! avicii on remix duties! b2 2 dirty gets support from tiesto need we say more ?

fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

more twisted electro punk dance tracks from the french duo!!

classic 2001 album! repress edition

bootleg is a mixture of laptop based rythmic cut ups, shouty punk collages and a return to the sweeter more melodic stuff. dont miss it!

stevie kotey gives the bear some funk on this 2004 release.

3 new edits by mike simonetti of italians do it better. three post punk jammers put to wax. part one of his mike series. mike decided not to go the typical route and edit rare baleric tracks or unknown boogie. instead he went into his past as a punk and did some re edits of post punk gems. you may recognize some of these toons. he promises to bust out the rare joints next time.

with after midnight glocal evokes the solid influences that surrounded their process of musical maturation in the 80s and 90s. new wave / disco rock basses and drums mingle with house from chicago, gothic bass solos, post punk vocals, and soul falsettos and chords that make reference to the techno from detroit.

stuttgart geh¥rt zwar nicht unbedingt zu den gr¥?ten st?dten in deutschland, aber mit sicherheit zu den sch¥nsten. au?erdem ist stuttgart das pflaster der vielleicht besten punk-, skin- und hardcoreszene in deutschland, bezogen auf den zusammenhalt und den antifaschistischen background. dar?ber hinaus ist stuttgart die heimat der freiboiter.
die band existiert bereits seit 1997. in der aktuellen besetzung seit 2001. der sound spiegelt alle m¥glichen einfl?sse wieder. punk, oi!, rock n roll, hardcore. nenn es einfach streetpunk, oder such dir selbst einen begriff aus. die teilweise politischen und sozialkritischen, aber auch ironischen und schlicht aus dem allt?glichen leben gegriffenen texte werden kombiniert mit treibenden riffs und eing?ngigen melodien.die produktion des albums ist der hammer 12 bzw. 14 richtig gute songs die es einem schwer machen nicht von anfang an mit zu gr¥hlen
denk ?ber die freiboiter was du willst. mit ihrer spielfreude und energie brauchen die f?nf jungs keinen vergleich zu scheuen. schon gar nicht mit irgendwelchen zweifelhaften, in die jahre gekommenen reunion-bands. dies wurde im in- und ausland, bei shows mit brigada flores magon, broilers, guerilla, heros & zeros, klasse kriminale, loikaemie, los fastidios, lurkers, lokalmatadore, miburo, the movement, oppressed, prowlers, peter and the test tube babies, sham 69, stage bottles, sidekick, subhumans, scrapy, u.k. subs, volxsturm etc. schon mehrfach unter beweis gestellt.
es w?re falsch die freiboiter als reine politische band zu bezeichnen, jedoch ist der begriff >antifascist oi!< nicht nur beiwerk, sondern fester bestandteil des selbstverst?ndnisses der band. das k¥nnen heutzutage wohl nur wenige bands aus dem so genannten streetpunk sektor von sich behaupten.gib ihnen etwas bier (besser nicht zu viel!), schn?r die stiefel und mach dich bereit f?r den sound aus motorcity stuttgart.

this is the track that has been burning down the house this summer, this is punk-funk techno ... this is >fables and fairytales<. a deep, dark and wonderful cut of distorted house music from adam marshall and nicholas murray under the alias n/a featuring the voice of rosina… a creation that touches the heart, body and soul with an intensely passionate sound, producing one of the best crosstown rebels releases yet.
from the vocal chorus so hooky and cool - to the kind of bassline you will be humming hours after the club, this piece of lfo tech-funk brings adonis, the slits and the fatback band into the same room and melts them into one shining gem. falling horns and random stabs, a punk funk vocal that is truly infectious, crosstown rebels #54 grabs you at the beginning and doesnt let go for the next twelve minutes. a faultless anthem for the coming nights…
on the b side, the latest artist signed to rebels, the uniquely talented deniz kurtel, stretches the hook into a dubbed out trip of groove-infused techno. morphing and twisting the ferocious female voice to sensual whispers and heart-felt cries, she works more enchantment into this anthem and builds a serious groove for a dark room.

circles is the brilliant third single from one of the uks best new bands detachments, the london based neo post punk electronic resistance force led by sebastien marshal.

electro remixes for the french punk band... on remix duties are maton jackson and his computer band and bobmo(institubes)!

2 tasty mash ups of daft punk & mgmt from irelands ronario aka phil neary.